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©2008-2009 `cryptorchid
:iconcryptorchid:

Artist's Comments

Artist Statement
What began as an attempt to preserve memory in defiance of an ever-changing landscape of people has become an experiment in typology. Some of the People I (Don't) Know explores human interaction - the concepts of familiarity and intimacy. In photographing the gamut from people I know well to those I'm acquainted with, I examine my interactions with others, gaining new insight into these connections through an intuitive use of a toy camera. While we talk, frames are skipped, light is layered on film, some moments are isolated while others run together in multiple exposures. Interpretations of colour and light are altered by emotional reaction and become unique to the individual. No condition is perfectly duplicated from one shoot to the next.
This series is approached without any inclination to reproduce what the eye sees, or strictly adhere to what the machine records; instead I want to translate subjects onto film closely to how the mind remembers a person. This is to say, largely affected by subjectivity; emotion and experience. The contact images are documents of conversation, of established rhythms and changing dynamics, while the selected portraits become visual manifestations of fleeting moments; profound and tenuous associations.
While my presence is implicit in actions and reactions, only the subject is depicted, from this position, similar to mine when shooting, the viewer is left to interpret the nuances of the exchange; the distance between myself and subject, body language, laughter and silence. These portraits are suffused with the history of how we came to be associated; they are mnemonic devices which allow me to remember every interaction with the individual.
The need to remember, to preserve memory, became the impetus to catalogue, in some way, to keep in check what cannot be controlled. Some of the People I (Don’t) Know is a visceral reaction to change, and a method of coping with the loss/gain inherent to it.

Comments


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:iconolobocanta:
really cool, once again. she does a lot of hand-folding and leaning.
:iconseasick:
Beautiful series of work - I particularly love the way you've visually represented the conversation.

--
[ dA Site | Gallery ]
:iconzedka:
Wonderful as I previously said...
:iconstinkyzappa:
it's a pleasure to look through your emotive and beautifully composed gallery.

This series feels very real and manages to convey your pashion


Cheers SAm

--
"Frank has smelly hair."(my gallery.) [link]
:icondanieldelidjakov:
these are a great series!
:iconxxqueenxofxskemexx:
I like the way you have began to overlap the shots, the variation between frame breaks is refreshing and honest. Keep up thinking and creating.

--
"We're trapped in belly of this horrible machine, and the machine is bleeding to death"

[.:THE QUEEN OF SkEME:.]
:icondamsel-distressed:
wow. you used a toy camera?very impressive.
:iconhollyography:
It all looks so good together

Details

November 8, 2008
522 KB
522 KB
750×750

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